Charlotte asks for a friend to escort her away by train.
Eva goes to the grave of her departed son, and her husband ineffectively tries to soothe her ailing sister. In the morning Charlotte prepares for her departure. Upon reaching the landing she starts shouting, "Mama, come!" Hearing this impassioned exchange, her disabled younger sister painfully forces herself out of her bed and starts crawling up to the stairs to where Eva and Charlotte are arguing. Eva's husband overhears this unexpectedly heightened exchange, but wisely decides not to participate and interfere. Mother and daughter begin an impassioned rediscovery and clarification of their past relationship. She goes into the living room followed by Eva, who had heard her mother screaming from the nightmare. At night, Charlotte wakes up from a nightmare: it seems that Eva is choking her. She plans to take a flight home, and buy a new car for herself, as a measure of her altruism. Before going to bed, Charlotte decides to make a gift of her own car to her daughter. She immediately re-performs the same prelude after Eva finishes in her own preferred interpretation of the music. She makes a gift of her own wristwatch to Helena, and listens to Eva playing Prelude No. The presence of Helena in Eva's house is shocking to the aging mother. She appears to be the only person who can understand her sister's limited speech ability. As part of her day-to-day life, Eva takes care of her disabled and paralyzed sister Helena (Lena Nyman), whom she has taken out of the hospital into her own home. It is gradually learned through her dialogue with her mother that her life has had a large number of unfortunate setbacks: she respects but does not love her husband Viktor ( Halvar Björk), their son Erik drowned when only four years old, and Charlotte never appears to have loved Eva as a mother normally loves a daughter. Eva's main concern is to be the mistress of her home, wife, mother, and loving sister. Eva is not as talented as the mother (despite the fact that she has written two books and plays the piano passably). Her mother is a world-renowned pianist, somewhat eccentric, aging, and has survived several husbands. She has not seen her for over seven years. Plot Įva ( Liv Ullmann), wife of the village pastor, invites her mother Charlotte ( Ingrid Bergman) for a visit to her village. Īutumn Sonata was the last of Ingmar Bergman's films to be made for theatrical exhibition all of his films made after it, even those screened in theatres, were television productions. It was the first and only collaboration by Ingrid Bergman and Ingmar Bergman. Its plot follows a celebrated classical pianist and her neglected daughter who meet for the first time in years, and chronicles their painful discussions of how they have hurt each other.
Autumn Sonata (Swedish: Höstsonaten) is a 1978 drama film written and directed by Ingmar Bergman, and starring Ingrid Bergman (in her final film role), Liv Ullmann and Lena Nyman.
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